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RS

Reid Sherline

Friday, April 6
 

10:15am EDT

1K: Your First 100 Words: Grounding Readers in Your Fiction Cambridge Room - 4th FloorRon MacLean

11:45am EDT

2K: Subversion: Writing YA Novels That Upend Expectations Beacon Hill Room - 4th FloorKim Savage

2:15pm EDT

3F: Imagining the Gaps in Memoir: How to Write a Story When the Story Runs Out Stuart Room - 4th FloorAlex Marzano-Lesnevich • Caitlin McGill

3:45pm EDT

4L: World Building in Historical Fiction Franklin Room - 4th FloorKim van Alkemade
 
Saturday, April 7
 

10:30am EDT

5H: Problem Solving for Novels-in-Progress Cambridge Room - 4th FloorCrystal King

12:45pm EDT

6H: Productive Revision, Or How to Stop Perfecting Paragraphs and Strengthen Your Story: Section BFULL Newbury Room - 4th FloorLynne Barrett

2:45pm EDT

7L: Word by Word: An Exercise in Close ReadingFULL Charles River Room - 4th FloorJim Shepard • Karen Shepard

4:15pm EDT

8G: Laughing at a Funeral: Mixing Emotional Tones in WritingFULL Back Bay Room - 4th FloorE. Thomas Finan
 
Sunday, April 8
 

10:00am EDT

9H: Structure, Risk, and Meaning in MemoirFULL Cambridge Room - 4th FloorAlex Marzano-Lesnevich

11:30am EDT

10K: Writing Memoir: Or, How to Take Your Most Private, Painful Story, Shape it into a Cohesive Narrative and Send it out into the World Beacon Hill Room - 4th FloorTova Mirvis