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Block 5 [clear filter]
Saturday, April 7
 

10:30am EDT

5C: Conjuring Mystery in Fiction
Limited Capacity full

Fiction writers talk a lot—for good reason, and to good end—about character, point of view, dialogue, scene, and summary, but in my experience, we don’t talk enough about mystery, that elusive yet essential element of fiction. It’s not easy to talk about something that, even as it encourages us to seek it, resists explanation. But if stories are one of the ways we make sense of the world, they are also how we experience whatever doesn’t make sense, whatever cannot be fully understood. They are how we stand in the presence of mystery. Flannery O’Connor describes that “extra ingredient,” which she suggested is created when “a writer puts us in the middle of some human action as it is outlined and illuminated by mystery.” So where is this ghostly electricity located, and how do you conjure it? How do we create inclusive, compelling mystery and avoid the kind that leaves a reader confounded to the point of throwing her out of the dream of the story? This will be part lecture, part discussion, and part writing. We'll take a close look at examples of the ways writers make room for mystery on the page, and you are welcome to bring an excerpt of something in progress.

Speakers
avatar for Maud Casey

Maud Casey

Author, THE ART OF MYSTERY
Maud Casey is the author of three novels, most recently The Man Who Walked Away; and a short story collection, Drastic. Her book of non-fiction, The Art of Mystery: The Search for Questions, was published by Graywolf Press in January 2018. Her stories and essays have appeared in... Read More →


Saturday April 7, 2018 10:30am - 11:45am EDT
Whittier Room - 4th Floor
  Block 5, Lecture with Q&A

10:30am EDT

5D: Don't Get Stuck in the Slush! 10 Pitfalls to Avoid When Submitting to Literary Magazines
Limited Capacity full

Using the death or abuse of an animal as an objective correlative? Maybe those ellipses in your dialogue should be em-dashes? Describing a location or a moment using an adjective-adjective-noun construction (e.g. the big, beautiful lake)? Some of our writerly ticks and tendencies are so ubiquitous that an editor may pass over a story or essay simply for the fact that they've seen the same missteps time and again. In this session, we'll examine some of the most common contemporary writerly cliches and discuss strategies for editing them out of work prior to submitting them to journals and publishers. 

Speakers
avatar for Nate Brown

Nate Brown

Liteary Magazine Editor, AMERICAN SHORT FICTION
Nate Brown is a Baltimore based fiction writer and editor whose stories and essays have appeared in the Iowa Review, Mississippi Review, Five Chapters, the Los Angeles Review of Books, Publisher's Weekly, Lithub, and Barrelhouse. He has received scholarships and fellowships from the... Read More →


Saturday April 7, 2018 10:30am - 11:45am EDT
Franklin Room - 4th Floor
  Block 5, Lecture with Q&A

10:30am EDT

5E: Essentials of Dialogue
Limited Capacity filling up

Dialogue is the human voice on the page. What purpose does dialogue have in prose? We will examine invented dialogue for fiction, interviews and quotes for nonfiction, and remembered dialogue for memoir writing. In this one hour session, learn tips and tools for writing effective dialogue in fiction and nonfiction.

Speakers
avatar for Grace Talusan

Grace Talusan

Author, THE BODY PAPERS
Grace Talusan is a writer and writing teacher. As a child, she immigrated to the United States from the Philippines with her parents. She grew up in New England with a strong Boston accent and enjoyed an all-American childhood. She has published essays, longform journalism, fiction... Read More →


Saturday April 7, 2018 10:30am - 11:45am EDT
Newbury Room - 4th Floor
 


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