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Muse & the Marketplace 2018

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10:30am EDT

5A: 7 Key Questions to Answer to Successfully Publish Your Nonfiction Book Beacon Hill Room - 4th FloorKatrin Schumann 5C: Conjuring Mystery in FictionFULL Whittier Room - 4th FloorMaud Casey 5G: Multilingual Writing: Code Switching and Language Games St. James Room - 4th FloorDenise Delgado 5H: Problem Solving for Novels-in-Progress Cambridge Room - 4th FloorCrystal King 5M: Stick Figure Structure: A Quick & Easy Way to Finding Your Missing Plot Points Gloucester Room - 4th FloorHannah Tinti

12:45pm EDT

6C: Consider the Sentence: A Love Story Charles River Room - 4th FloorRobert Cohen 6F: Lessons from the Novel Incubator Cambridge Room - 4th FloorMichelle Hoover 6L: The Novelist as Dramatist: Action in FictionFULL Cabot Room - 4th FloorStuart Spencer 6M: Your Book Starts Here: Build a Successful Structure for Your Manuscript in Any GenreFULL Whittier Room - 4th FloorMary Carroll Moore

2:45pm EDT

7B: Dare to Break the Ultimate Writing Rule: Why "Show Don't Tell" Is a CrockFULL Whittier Room - 4th FloorSteve Almond 7C: Editing: Love It, Hate It, Just Delete It White Hill Room - 4th FloorEve Attermann • Rachel Barenbaum 7D: Learning From the (Very) Old-Timers: Modern Uses of Pre-Modern FictionFULL Winthrop Room - 4th FloorKanishk Tharoor 7F: Outsider as Insider: Subverting and Resisting Cultural Expectations in Fiction Cabot Room - 4th FloorPatricia Engel 7G: The Art of Perspective Beacon Hill Room - 4th FloorChristopher Castellani 7I: The People-Pleaser's Guide to PlotFULL Newbury Room - 4th FloorDiana Renn 7J: Violent Delights & Violent Ends: What to Consider When Writing Violence in Fiction and Nonfiction Stuart Room - 4th FloorKelly J. Ford • Stephanie Gayle • Emily Ross 7L: Word by Word: An Exercise in Close ReadingFULL Charles River Room - 4th FloorJim Shepard • Karen Shepard

4:15pm EDT

8A: A Vampire of Your Own: Using the Personal To Write the Fantastic St. James Room - 4th FloorJohn Langan 8B: Avoiding the Common Pitfalls of Writing About Black Life Newbury Room - 4th FloorNicole Blades 8C: Beyond Conflict: Sources of Narrative Drive in Fiction White Hill Room - 4th FloorTim Weed 8E: Experimental Writing for Non-Experimental Writers Beacon Hill Room - 4th FloorPorochista Khakpour 8G: Laughing at a Funeral: Mixing Emotional Tones in WritingFULL Back Bay Room - 4th FloorE. Thomas Finan 8I: Rage Is a Red Lesson: How to Turn Anger into Charged Prose Charles River Room - 4th FloorSteve Almond 8K: Social Justice Story TellingFULL Cabot Room - 4th FloorAlex Marzano-Lesnevich 8L: Suspense, Stakes, & Whimsy: Borrowing from Genre for Your Fiction Stuart Room - 4th FloorMichelle Hoover