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Muse & the Marketplace 2018

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10:15am EDT

1C: Navigating Your Novel’s Murky Middle Gloucester Room - 4th FloorLisa Borders 1G: Telling a Story with Your Book Proposal White Hill Room - 4th FloorTanya McKinnon • Michelle Seaton 1I: Voice in Nonfiction: What is Your Voice and How Can You Reclaim it? Newbury Room - 4th FloorFULLVanessa Martír 1L: Your Narrator's Time Signature: Finding the Right Tempo During Dialogue Franklin Room - 4th FloorRavi Howard

11:45am EDT

2C: Essentials of Characterization Stuart Room - 4th FloorFULLStacy Mattingly 2D: Get Your Essay Pitches Noticed Charles River Room - 4th FloorCandace McDuffie 2E: Getting Your Nonfiction Book Back on Track St. James Room - 4th FloorKatrin Schumann 2G: Politics and Prose: Tackling the Issues of Our Time Through Fiction and Narrative Nonfiction Newbury Room - 4th FloorFULLAdam Stumacher 2L: The Dark Art of Description Gloucester Room - 4th FloorFULLPatricia Hampl

2:15pm EDT

3D: Getting Noticed, Read and Understood on Sensitive Topics Newbury Room - 4th FloorFULLMary C. Curtis 3F: Imagining the Gaps in Memoir: How to Write a Story When the Story Runs Out Stuart Room - 4th FloorAlex Marzano-Lesnevich • Caitlin McGill 3K: When the Universal is Just Mainstream: Writing Rules That Fail Queer Authors Winthrop Room - 4th FloorMilo Todd 3M: Writing the Past to Speak of the Present Charles River Room - 4th FloorFULLGabrielle Lucille Fuentes

3:45pm EDT

4A: Essentials of Humor Stuart Room - 4th FloorSteve Macone 4B: Essentials of Style Gloucester Room - 4th FloorFULLNicole Miller 4D: Geography, Climate, Interiors, & History: Creating Rich Worlds for Memoir & Essays Beacon Hill Room - 4th FloorFULLAlysia Abbott 4F: How to Write Long—But Not Long-Winded—Sentences Cabot Room - 4th FloorTim Horvath 4I: Rebel, Rebel: Writing Rules that Can—and Sometimes Should—Be Broken Newbury Room - 4th FloorLisa Borders 4K: Who Am I Really: Reporting the Self in Writing Tremont Room - 4th FloorAlexander Chee